14A010
STATUETTE OF ACHELOUS
East Greek, probably from Asia Minor
or coastal Phoenicia, circa 470-460 B.C.
Bronze, Height (from top of head): 10 cm.; Length: 12.3 cm.
This sizeable
and very rare bronze statuette represents the river god Achelous,
the divine personification of a river in northwestern Greece. This
figure was made to be free-standing, as indicated by the flat, smooth
bottoms of the hooves. The statuette was solid-cast and has a dark
green patina, with yellowish earth adhering to the grooves and incised
forms of the figure. Although the human and animal forms are well
articulated, they are not yet represented in a truly naturalistic
way. The single mass of the beard, its patterned locks, the large
eyes with heavy upper lids framed with architectonic eyebrows, and
the ab-sence of the so-called archaic smile suggest that this artifact
is late archaic (500-480 B.C.) or, more likely, an archaizing work
of the early classical period (480-450 B.C.).
According to
myth Achelous had the special ability to assume different forms,
such as a serpent, a bull or a man with a bull's head. In contrast
to the literary sources, artistic representations of Achelous often
show him as a bull with a human head, bull's ears and horns. Such
depictions can be found in a variety of media in Greek, Etruscan
and Roman art, where they may represent local rivers. Although there
are no known life-size statues of Achelous, there are a number of
small heads or figurines of him in bronze, usually used to ornament
bronze vessels, especially as handle decorations.
In Greek myth
Achelous was one of the many suitors of the fair maiden Deianira.
Also seeking her hand was the hero Heracles, who challenged the
human-headed Achelous to a wrestling contest for the right to wed
Deianira. When Heracles was at the point of defeating Achelous,
the river god changed himself first into a serpent and then into
a bull, but he was nevertheless overcome. During the match Heracles
broke off one of Achelous' horns. The naiads, divine spirits of
the springs, streams and fountains, took the horn and filled it
with fruit, thus creating the first cornucopia or horn of plenty,
whose contents, miraculously, never had to be replenished.
For comparison,
see the tetradrachms of the Sicilian city of Gela, G.K. Jenkins,
The Coinage of Gela (Berlin, 1970); a terracotta head of Achelous
that served as a roof ornament (LIMC I, pp. 20-21, no. 124*); and
a mid-5th century bronze ornamental figurine for a helmet from Orvieto,
now in the Ny Carlsberg Glyptotek, Copenhagen, (LIMC I, pp. 26-27,
no. 240*).
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